tag:blogger.com,1999:blog-51292680592928996132024-02-07T17:04:19.626-08:00Digital Photography I ART 1183 sec 01 Welcome to the blog site for Stan Strembicki's Digital Photo I class. Class assignments and notes for the semester will be posted here as well as student work.Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.comBlogger55125tag:blogger.com,1999:blog-5129268059292899613.post-23248512230349357222016-05-04T17:46:00.001-07:002016-05-04T17:46:23.349-07:00Last Week!All assignments and portfolios have been graded and returned with a comment sheet inside the portfolio. Grades will be submitted on line next week on or before May 12th. Please try to pick up your final portfolios before May 19th.<br />
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Have a great summer!Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com1tag:blogger.com,1999:blog-5129268059292899613.post-73015133311881048762016-04-01T17:12:00.000-07:002016-04-01T17:12:15.032-07:00Assignment #9 Self PortraitHere's you chance to make your work all about you! In this assignment make a self portrait that is about you, you may be in it in whole or part, it may be as others see you or as you think you see yourself to others.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnnLP-nPc6togWeld01QDeB-jGpKWqqReu7J2GF_yt2zN_4nWHtsI1nHaIhy9pRd34SNCPiWAesY4yeJgxQPGRn-TX6fJUSBlXt-FrHDEbkwq5oCqFKneCQzNs3frXp0ZIJsmzGYmI5zI/s1600/firstportrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnnLP-nPc6togWeld01QDeB-jGpKWqqReu7J2GF_yt2zN_4nWHtsI1nHaIhy9pRd34SNCPiWAesY4yeJgxQPGRn-TX6fJUSBlXt-FrHDEbkwq5oCqFKneCQzNs3frXp0ZIJsmzGYmI5zI/s320/firstportrait.jpg" width="320" /></a></div>
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Robert Cornelius, self portrait 1839</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFoZ6wCN8k1PA0T2m_dpIpd2W1IZtHV2me1_kFTOQ6m09ly0N5XFalspcHBU2T-0lUtrKA9eHemKjJAko7j-gD39Ymhh2O0OBNLPOQJSmXrgnqCkLYO0m5HGGWNb56oNEFAGiFw2J_9Hw/s1600/hppltbyrd1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFoZ6wCN8k1PA0T2m_dpIpd2W1IZtHV2me1_kFTOQ6m09ly0N5XFalspcHBU2T-0lUtrKA9eHemKjJAko7j-gD39Ymhh2O0OBNLPOQJSmXrgnqCkLYO0m5HGGWNb56oNEFAGiFw2J_9Hw/s320/hppltbyrd1.jpg" width="306" /></a></div>
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Hippolyte Bayard, Self Portrait as Drowned Man</div>
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Critique for this assignment is April 20</div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-36956711602220100172016-03-29T17:06:00.000-07:002016-03-29T17:06:00.175-07:00Assignment #7 Studio portrait<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px;">Photography can be an additive practice as we have discussed in class, but no where is this more evident than the lighting studio. You begin with a black room, add a back ground, set lights, determine camera angle and lastly choose a subject.</span><br />
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<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px;">In this assignment you will enlist the help of a human subject, no younger than 14 years old and photograph them under controlled lighting conditions in the lighting studio. Pay attention to direction of main and fill lights and ratio between each source. In the studio, everything matters.</span><br />
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Richard Avedon</div>
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<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px;">Artists to research are: Karsh, Avedon, Halsman, Leibovitz, Scavullo and Penn.</span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px;"><br /></span><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px;">Assignment/critique April 18</span>Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com1tag:blogger.com,1999:blog-5129268059292899613.post-28032070736339210622016-03-22T17:08:00.000-07:002016-03-22T17:08:13.688-07:00Assignment #8 Night PhotographyAssignment #8 Night Photography<br />
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The world is a very different place at night, light, which normally falls from the sky to the earth, now radiates up. Pleases once illuminated are now in deep, deep shadow. The color of light is also an issue, mixed light sources record in a range of color.<br />
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What are our tools in night photography?<br />
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ISO experimentation, with excessive noise in mind, try a range of ISO's on your camera depending on conditions.</div>
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Tripod. While not always necessary (see further on for how to cheat on this), a tripod will give you the greatest flexibility to get the angles you need while keeping your camera steady for those long exposures. The department has some for limited check out.</div>
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Wide-angle lenses. This is a personal preference, but I love the way they work in night photography. If these are out of your price range – don’t worry! Try it out with whatever you’ve got as the only thing that will limit you is your imagination.</div>
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A lens hood. To minimize lens flares from light entering at angles outside of your frame.</div>
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A flashlight. Sometimes you’ll want to draw attention to or simply lighten up an important part of the foreground which is too dark.</div>
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Tools lie all around us in everyday objects to help us make our work better in this; I’ve used bicycle lamps, lampposts and newspaper boxes to get it done.<br />
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The same composition rules that apply to day apply to night, except with night we have our long exposures to take advantage of and more negative space to consider.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfEJm1aWL0GTSqTKiFMMyCNLV6oDHXahDdFbZnCMd369Q8Y6jnIv7bnJt7dvGN12932Vmgr61lDhkHnf7iRGJzZmIPOJxrN9kWKUcwxX_QQcSE3I2Gs63DjCXEVAN9hGJQ9AxKuhiL4k/s1600/_D2X3002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfEJm1aWL0GTSqTKiFMMyCNLV6oDHXahDdFbZnCMd369Q8Y6jnIv7bnJt7dvGN12932Vmgr61lDhkHnf7iRGJzZmIPOJxrN9kWKUcwxX_QQcSE3I2Gs63DjCXEVAN9hGJQ9AxKuhiL4k/s320/_D2X3002.jpg" width="320" /></a></div>
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Stan Strembicki, Florence, Italy 2005</div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-62309363332664298722016-02-22T17:04:00.004-08:002016-02-22T17:04:44.912-08:00Assignment #6 The Narrative ImageThis assignment is driven by our TA this semester and her lecture that will be presented on March 9th.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs7iDSuqJh7Ad8i_1JSnv5eqyx2bWicjLIjND_GJIlMClmcDqlUU6vSlDUZWnHhHIEYQs6gMu6OOZKyR8C3pW4zatNiRVhE5rs4DXI8u5N-RIUwoGemhzUvo0Hyrbp-9H5HCne0pm_DGw/s1600/th.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs7iDSuqJh7Ad8i_1JSnv5eqyx2bWicjLIjND_GJIlMClmcDqlUU6vSlDUZWnHhHIEYQs6gMu6OOZKyR8C3pW4zatNiRVhE5rs4DXI8u5N-RIUwoGemhzUvo0Hyrbp-9H5HCne0pm_DGw/s1600/th.jpeg" /></a></div>
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Assignment due for crit April 6</div>
<br />Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-47722126776996782412016-02-21T16:59:00.000-08:002016-02-22T17:01:28.315-08:00Assignment #5 Still LifePhotography has a grand tradition of the still life, in fact some of the earliest work every done were still lifes.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_MnM6HVyu-rgRTj9zP31UggWnDRLvR9U1MDnf4lurmJvsti3kv11oPv8JM9wYNn4-D0zGNiChnPr2hg3bsF2Ab6UMpyeNjQG3DFzjjV01d7uPvIAYCtbWV4BSeDmNRNKiOGOGNd4DbY/s1600/pepper30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_MnM6HVyu-rgRTj9zP31UggWnDRLvR9U1MDnf4lurmJvsti3kv11oPv8JM9wYNn4-D0zGNiChnPr2hg3bsF2Ab6UMpyeNjQG3DFzjjV01d7uPvIAYCtbWV4BSeDmNRNKiOGOGNd4DbY/s320/pepper30.jpg" style="cursor: move;" width="250" /></a></div>
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In this assignment you will select and object of your choosing and using either natural or artificial lighting, photograph it.<br />
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Assignment due for critique March 28<br />
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<br />Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-20164914326560357372016-02-04T04:11:00.000-08:002016-02-22T16:53:02.500-08:00Assignment #4 Environmental Portrait<div class="MsoNormal" style="color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="font-family: "times";">“The subject must be thought of in terms of the 20th century, of houses he lives in and places he works, in terms of the kind of light the windows in these places let through and by which we see him every day.”<o:p></o:p></span></div>
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<b><span style="color: #0a00c8; font-family: "times";"><a href="http://www.brainyquote.com/quotes/quotes/a/arnoldnewm116385.html" style="color: #888888; text-decoration: none;">Arnold Newman</a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrZaD4Y293ACJWkNJyXiiiSPuBvMUic7ifOn3ouwrcnrWRCY888jzcGIhqLq-6VzkkWoVLjhCmHvyUGQelP4ZYlWscjhyphenhyphenJuHfiOlRpwgb5oaSdBip6l3joAzCOLJR3MuM-uy7cpqECQj4/s1600/newman_smith.jpg" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrZaD4Y293ACJWkNJyXiiiSPuBvMUic7ifOn3ouwrcnrWRCY888jzcGIhqLq-6VzkkWoVLjhCmHvyUGQelP4ZYlWscjhyphenhyphenJuHfiOlRpwgb5oaSdBip6l3joAzCOLJR3MuM-uy7cpqECQj4/s320/newman_smith.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; background-color: white; background-position: initial initial; background-repeat: initial initial; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="233" /></a></div>
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<b> "Willie The Lion Smith" </b> by Arnold Newman 1960<br />
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Simply put, an environmental portrait is a portrait of a person that includes enough of the environment around that person to provide context that helps the viewer understand more about the defining characteristics of the subject. One of the keys to a successful environmental portrait is that the portion of the scene included in the frame should be "representative" of the environment or context you want the viewer to associate with the subject. The relative importance of the subject to the environment is also important in defining an "environmental portrait." The subject should be the most prominent element in the scene, with the surrounding elements providing strong supporting context. If you are too close to your subject to include enough of the environment, then the image simply becomes a normal portrait. On the other hand, if the subject is so small in the frame that other elements become more prominent, or viewers cannot discern the defining characteristics of the subject, then the image would be better classified as something other than an environmental portrait.</div>
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"Baker" August Sander</div>
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Shoot a minimum of 50 images/frames. You can shoot this assignment at a number of locations and even on different days. The subject must be part of the process and may include others, no candid photos of random people you have not met however! No animals or no humans under the age of 14 year as primary subject matter.<br />
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Submit one print, any size for in class critique *** NOTE NEW DUE DATE March 7!!!Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com1tag:blogger.com,1999:blog-5129268059292899613.post-80316909313609773882016-01-31T04:08:00.001-08:002016-02-22T16:53:37.762-08:00Assignment #3<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">
<b><span style="color: black;">“<i>You must milk the cow a great deal, to get enough milk, to make a little bit of cheese”<o:p></o:p></i></span></b></div>
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<b><i><span style="color: black;">Henri Cartier-Bresson</span></i><u><span style="color: black;"><o:p></o:p></span></u></b></div>
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<span style="color: black;">There come certain moments in our lives when any number of forces (both those we can control and those we can’t) merge together. Everything comes together as if fate had planned it that way. To simplify this in a phrase; being in the right place at the right time.<o:p></o:p></span></div>
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<span style="color: black;">The French photographer Henri Cartier-Bresson describes this sensation in his work as being “The Decisive Moment”. A point in time and space when those forces (people, buildings, autos, animals, shapes, forms, weather etc.) arrange themselves in front of his camera to present a complete statement, both visually and emotionally. Everything is revealed with perfect clarity.<o:p></o:p></span></div>
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<span style="color: black;">But this is a very quick and fleeting moment. The power created by all these forces dissolves as quickly as it arises. Cartier-Bresson sees it as his responsibility as a photographer to be aware of such moments and to photograph them at precisely “the decisive moment”.<o:p></o:p></span><br />
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HCB with his Leica ready for the "moment"</div>
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<span style="color: black;">Your assignment, shoot at least 50 photos of these decisive moments you find in your world. These are best found outdoors and in situations where there are lots of people around. Use ISO 400 speed setting and try to use higher shutter speeds if your subjects are moving, around 250-500 of a second.<o:p></o:p></span></div>
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<span style="color: black;">Carry your camera in the ready mode, that is pre-focused and the exposure controls adjusted for the lighting situation you are in. Try concentrating on the three basic elements (time, space, and objects in space, like people). Observe their interaction. You skill will increase with practice and timing is everything.<o:p></o:p></span></div>
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<span style="color: black;">Turn in a minimum of one print that best presents the idea of the decisive moment. The print may be of any size.<o:p></o:p></span></div>
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<span style="color: black;">For more information, check out the works of Cartier-Bresson in the art and architecture library and the works of Elliot Erwitt and Gray Winnogrand two other photographers who deal with these elements.</span></div>
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Critique for this assignment is FEB 29 </div>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-84103641601327729352016-01-28T04:03:00.000-08:002016-01-31T04:15:54.668-08:00Assignment #2B Motion<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black; font-family: "helvetica";">The camera has the unique ability to freeze motion or to show an entire motion to the point where it is only a blur. Both of these qualities can be used in a photograph in interpret movement as you would like it to be shown.<o:p></o:p></span></div>
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<span style="color: black; font-family: "helvetica";">A few things to remember are:<o:p></o:p></span></div>
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<span style="color: black; font-family: "helvetica";">1. A higher shutter speed will be required to freeze motion when the motion is parallel to the film than when motion is toward the camera.<o:p></o:p></span></div>
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<span style="color: black; font-family: "helvetica";">2. If you are using a slow shutter speed, those less than 1/30 of a second, you should use a camera support. A tripod is best, however you can brace the camera on a bench, a wall, or place it on the ground.<o:p></o:p></span></div>
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<span style="color: black; font-family: "helvetica";">3. Panning means to move the camera with the subject in motion. This will allow you to freeze motion which is faster than your fastest shutter speed. Panning requires practice, so try this a number of times.<o:p></o:p></span></div>
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<span style="color: black; font-family: "helvetica";"> 1. Make a series of exposures that show the effects of freezing motion with a high shutter speed.<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: "helvetica";"> 2. A series of exposures to imply motion using slow shutter speeds.</span></div>
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<span class="Apple-style-span" style="font-family: "helvetica";"> 3. Finally</span><span class="Apple-style-span" style="font-family: "helvetica";"> </span><span class="Apple-style-span" style="font-family: "helvetica";">a series of exposures that</span><span class="Apple-style-span" style="font-family: "helvetica";"> </span><span class="Apple-style-span" style="font-family: "helvetica";">demonstrate the use of panning technique.</span></div>
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<span style="color: black; font-family: "helvetica";"> </span><span class="Apple-style-span" style="font-family: "helvetica";">Remember that you must adjust the f stop to match the shutter speed you have selected to get a correct exposure. You may find that you can not use a low or slow shutter speed in the bright sun, as there is too much light present. In that case, you must go someplace where there is less light or wait till dusk. The same is true of high shutter speeds, which often require you to open the lens to get enough light to make a correct exposure, this may not be possible indoors, for example.</span></div>
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Critique is FEB 15</div>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-20784197371269940972016-01-27T04:03:00.000-08:002016-01-31T04:14:54.207-08:00Assignment #2A Depth of Field and Focus<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black;"><b><u>Depth of Field and Focus</u> </b></span></div>
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<span style="color: black;">As you have learned in your lecture, depth of field is the area, from the near point to the far point, which will be in focus in your photograph. This can be used in many ways to make your photograph have more impact, to isolate the subject from a distracting background or to give a photograph more apparent depth. Just to review:<o:p></o:p></span></div>
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<span style="color: black;">1. Depth of field is directly related to the f stop which you use. A small f stop like f 16 will give greater depth of field (more in focus), and a smaller f stop (like f 2.8) will make the depth of field shallower.<o:p></o:p></span></div>
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<span style="color: black;">2. When you want fairly accurate indications of depth of field, you should use the depth of field scale on you lens.<o:p></o:p></span></div>
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<span style="color: black;">3. Focusing on a subject close to the camera will give less depth of field than focusing on a subject farther away.<o:p></o:p></span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Assignment:</span></b><br />
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1. Make at least 2 photographs which show shallow depth of field. Remember to use a wide f stop (like f 2.8).</div>
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<span style="color: black;">2. Make at least 2 photographs to show great depth of field. Use a smaller<o:p></o:p></span></div>
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<span style="color: black;">f stop (like f 16)<o:p></o:p></span></div>
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<span style="color: black;">3. Use the remaining images to show subjects in background out of focus,<o:p></o:p></span></div>
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<span style="color: black;">objects in foreground out of focus, and other variations of use of limited and expanded focus.<o:p></o:p></span><br />
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<span style="color: black;">Critique is FEB 15</span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Don’t forget, as you change the f stop, you must compensate the exposure by also changing the shutter speed. In some cases, it will be too bright to use a open apeture like f 2.8, or too dark to use f 16.</span></b><br />
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by J.H. Lartigue</div>
</div>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-43571984457736859662016-01-25T04:01:00.000-08:002016-01-31T04:01:37.894-08:00Assignment #1 Exposure variation<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">In this assignment you will shoot a series of exposures and iso settings on your digital camera as follows:</span><br />
<br style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;" />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">1. Set C</span><b style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">olorspace</b><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;"> to Adobe RGB</span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">2. Set </span><b style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">Quality</b><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;"> to RAW & jpg-large</span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">3. Set M</span><b style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">ode</b><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;"> to manual</span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">4. Now set </span><b style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;">ISO</b><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;"> to the base exposure (100 or 200)</span><br />
<br style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;" />
<br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">-Shoot same subject at each iso at normal exposure, the one over and one under exposure</span><br />
<span style="color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: x-small;"><span style="background-color: white; line-height: 18px;">then:</span></span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">-Shoot one subject at iso setting 100; 400; 800; 1600 and if you have it 3200</span><br />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">This then is what you'll end up with, shoot a total of 4 scenes. In shooting the assignment, think about how color is important to the design and subject. Consider color AS subject.</span><br />
<br style="background-color: white; color: #666666; font-family: 'trebuchet ms', trebuchet, verdana, sans-serif; font-size: 13px; line-height: 18px;" />
<span style="background-color: white; color: #666666; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 13px; line-height: 18px;">This assignment is pass/fail, bring in one set of jpg images on a jump drive for in class review. Select best image for shoot and post on class blog.</span>Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-63242902955897924702015-12-31T17:22:00.000-08:002016-01-31T04:21:46.903-08:00Welcome to Digital Photo I Spring 2016The Fine Print:<br />
<br />
<h2>
Prof. Stan Strembicki<o:p></o:p></h2>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">Digital Photography I SP
2016 V1.2<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">ART 1183 section 01<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">Monday & Wednesday
1:00-4:00<o:p></o:p></span></b></div>
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01/20/16<span style="mso-tab-count: 1;"> </span>class
intro; exposure and camera set up; <b style="mso-bidi-font-weight: normal;">assignment
#1-(over under)</b><span style="mso-tab-count: 1;"> </span><o:p></o:p></div>
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01/25/16<span style="mso-tab-count: 1;"> </span>Lightroom
5 orientation/downloading images/basic adjustments<o:p></o:p></div>
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01/27/16<span style="mso-tab-count: 1;"> </span>Critique
assignment <b style="mso-bidi-font-weight: normal;">#1-over under &
assignment-The Color Image<o:p></o:p></b></div>
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<br /></div>
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02/01/16<span style="mso-tab-count: 1;"> </span>Lecture
for assignment <b style="mso-bidi-font-weight: normal;">#2-Motion and Focus<o:p></o:p></b></div>
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02/03/16<span style="mso-tab-count: 1;"> </span>Lecture:
Preparing files for output and printing in Lightroom CC<o:p></o:p></div>
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02/08/16<span style="mso-tab-count: 1;"> </span>No Stan-TA lecture<o:p></o:p></div>
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02/10/16<span style="mso-tab-count: 1;"> </span>No Stan-TA lab day<o:p></o:p></div>
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02/15/16<span style="mso-tab-count: 1;"> </span>Critique for assignment <b style="mso-bidi-font-weight: normal;">#2 Motion and Focus</b><o:p></o:p></div>
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02/17/16<span style="mso-tab-count: 1;"> </span>Lecture
for assignment #<b style="mso-bidi-font-weight: normal;">3 Street
Photography/Decisive Moment</b><o:p></o:p></div>
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02/22/16<span style="mso-tab-count: 1;"> </span>Lecture: Assignment #<b style="mso-bidi-font-weight: normal;">4
Environmental Portrait<o:p></o:p></b></div>
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02/24/16<span style="mso-tab-count: 1;"> </span>Critique
for <b style="mso-bidi-font-weight: normal;">#3 Street Photography/Decisive Moment
assignment</b><o:p></o:p></div>
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02/29/16<span style="mso-tab-count: 1;"> </span>Scanning
negatives and documents demo<o:p></o:p></div>
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<span style="mso-tab-count: 1;"> </span><o:p></o:p></div>
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03/02/16<span style="mso-tab-count: 1;"> </span>Critique
for <b style="mso-bidi-font-weight: normal;">#4 Environmental portrait</b><o:p></o:p></div>
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03/07/16<span style="mso-tab-count: 1;"> </span>Lecture
for #<b style="mso-bidi-font-weight: normal;">5 Still Life<o:p></o:p></b></div>
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03/09/16<span style="mso-tab-count: 1;"> </span>Lecture
for assignment #<b style="mso-bidi-font-weight: normal;">6 Narrative; Assignments
#1-4 deadline for grading</b><o:p></o:p></div>
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03/13-19<span style="mso-tab-count: 1;"> </span>Spring
Break, no classes, lab closed<o:p></o:p></div>
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03/21/16<span style="mso-tab-count: 1;"> </span>Lightroom
tool bar extra demo/lecture<o:p></o:p></div>
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03/23/16<span style="mso-tab-count: 1;"> </span>Lecture
of assignment <b style="mso-bidi-font-weight: normal;"># 8 Night Photography </b>&
flash demo<o:p></o:p></div>
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03/28/16<span style="mso-tab-count: 1;"> </span>Critique
for <b style="mso-bidi-font-weight: normal;">#5 Still Life</b><o:p></o:p></div>
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03/30/16<span style="mso-tab-count: 1;"> </span>Lecture
for studio assignment<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">#7-studio portrait </b>(J. Karsh; R.
Avedon)<o:p></o:p></div>
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<span style="mso-tab-count: 1;"> </span>&
studio portrait lighting demo & studio lighting demo<o:p></o:p></div>
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04/04/16<span style="mso-tab-count: 1;"> </span>Slides
for <b style="mso-bidi-font-weight: normal;">Self Portrait #9</b><o:p></o:p></div>
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04/06/16<span style="mso-tab-count: 1;"> </span>Critique
for Assignment <b style="mso-bidi-font-weight: normal;">#6 Narrative</b><o:p></o:p></div>
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04/11/16<span style="mso-tab-count: 1;"> </span>Critique for assignment <b style="mso-bidi-font-weight: normal;">#8-Night photography</b><o:p></o:p></div>
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04/13/16<span style="mso-tab-count: 1;"> </span>Lecture<b style="mso-bidi-font-weight: normal;">/</b>Demo<b style="mso-bidi-font-weight: normal;"><span style="mso-spacerun: yes;"> </span>Presentation,
mounting & matting issues</b><o:p></o:p></div>
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04/18/16<span style="mso-tab-count: 1;"> </span>Critique
for assignment # 7 <b style="mso-bidi-font-weight: normal;">Studio portrait</b><o:p></o:p></div>
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04/20/16<span style="mso-tab-count: 1;"> </span>Critique
for # 9 <b style="mso-bidi-font-weight: normal;">Self Portrait</b><span style="mso-tab-count: 1;"> </span><b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></div>
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04/25/16<span style="mso-tab-count: 1;"> </span>Critique
for #10 <b style="mso-bidi-font-weight: normal;">Personal project</b><o:p></o:p></div>
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04/27/16<span style="mso-tab-count: 1;"> </span>last
day to submit assignments 5-10 for grading<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></div>
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<br /></div>
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05/02/16<span style="mso-tab-count: 1;"> </span>final
portfolio due today<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></div>
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05/05/16<span style="mso-tab-count: 1;"> </span>final
exams begin<span style="mso-tab-count: 2;"> </span><b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></div>
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05/09/16<span style="mso-tab-count: 1;"> </span>portfolios
returned<o:p></o:p></div>
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<b>Assignments:</b></div>
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<ol start="1" style="margin-top: 0in;" type="1">
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Exposure and development<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Motion and focus<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Street Photography-decisive moment<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Environmental portrait<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Still Life<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Narrative<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Studio portrait<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Night photography<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Self portrait<o:p></o:p></b></li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo1; tab-stops: list .5in;"><b style="mso-bidi-font-weight: normal;">Personal project<o:p></o:p></b></li>
</ol>
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<b>Final Portfolios:</b></div>
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<span style="color: black;">You are expected to shoot images,
perform all lab work, and final presentation. Students who use other students’
prints or files without attribution are guilty of cheating and will be referred
to the Associate Dean for further action, and fail the class. Final portfolios
consist of 15-20 matted or mounted prints, printed to your highest
standards.<span style="mso-spacerun: yes;"> </span>Portfolio may include
assignments, may be thematic, or may just have 15 of your best images.<span style="mso-spacerun: yes;"> </span>All prints should be ready for
presentation.<span style="mso-spacerun: yes;"> </span>All prints must be in
something that resembles a folder or case.<span style="mso-spacerun: yes;">
</span>No trash bags or loose prints please.<span style="mso-spacerun: yes;">
</span>Label all mats on rear with your name and class.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black;">Grading:<o:p></o:p></span></b></div>
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<span style="color: black;">Work will be graded in two parts,
1) craft and technique, which refer to camera handling skills, and print
quality and 2) concept and creative solution to assignment problem.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
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<span style="color: black;">Final grade comprised of the
following guidelines:<o:p></o:p></span></div>
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<span style="color: black;"><span style="mso-tab-count: 6;"> </span>25%
assignment <o:p></o:p></span></div>
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<span style="color: black;">25%
attendance and class participation<o:p></o:p></span></div>
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<span style="color: black;"><span style="mso-tab-count: 6;"> </span>50%
final portfolio<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="mso-outline-level: 1;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black;">Attendance policy:<o:p></o:p></span></b></div>
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<span style="color: black;">Students are expected to attend
all classes, in case of medical excuse, students are responsible for supplying
documentation to faculty.<span style="mso-spacerun: yes;"> </span>Excessive
absence<span style="mso-spacerun: yes;"> </span>(five unexcused) will result in
lowering of grade, one letter and seven unexcused, failure of class
entirely.<span style="mso-spacerun: yes;"> </span>Students should plan on
arriving to class on time. Excessive tardiness will result in a lowering of the
final grade.<o:p></o:p></span></div>
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<br /></div>
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<b>Digital Etiquette:</b></div>
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<span style="mso-bidi-font-family: Georgia; mso-bidi-font-size: 13.0pt;">This should go without saying, but let’s say it anyway: you should
turn off your cell-phone and/or other devices (iPods, etc) before you enter the
classroom. If your phone rings once during class this semester, we’ll all laugh
and I’ll ask you to turn it off. If your phone rings again during class this
semester, we’ll need to have a talk. <o:p></o:p></span></div>
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<span style="mso-bidi-font-family: Georgia; mso-bidi-font-size: 13.0pt;">I understand that your phones connect you with your friends and
family, but the classroom should be a place apart, however briefly, from the
outside world. You will learn more, in short, if you can concentrate on the
class while you’re in class. If you’re really into your phone to that extent,
consider taking my class being scheduled for Fall 2016 “<i style="mso-bidi-font-style: normal;">Cell Phones, Snapshots and the Social Network</i>”, it’ll all be about
the mobile device and making art.</span></div>
<div class="MsoNormal" style="margin-bottom: .25in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b>Stan’s office number/voice mail: 935 8406</b></div>
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<b>Stan’s cell 314 440 2894</b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black;">Stan’s E mail address:<span style="mso-spacerun: yes;">
</span>Strembicki@wustl.edu<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black;">Class blog site:<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="color: black;">www.art1183sec01.blogspot.com<o:p></o:p></span></b></div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-59120630008763877102015-12-30T17:43:00.000-08:002015-12-30T17:43:00.397-08:00Stan's Digital Camera Recommendations <div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Stan’s Digital Camera
Recommendations <o:p></o:p></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Winter 2015 V1.2
(prices/models subject to change!)<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Compact Cameras:<o:p></o:p></b></div>
<div class="MsoNormal">
Sony RX100 IV<span style="mso-tab-count: 2;"> </span>$950.00
Fixed zoom lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Lumix GX-8<span style="mso-tab-count: 3;"> </span>$995.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Olympus
E-PL7<span style="mso-tab-count: 2;"> </span>$550.00 with
14-42 mm lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Fuji X100T<span style="mso-tab-count: 3;"> </span>$1,099.00 Fixed
lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Fuji X 1 Pro*
<span style="mso-tab-count: 3;"> </span>$799.00 (body
only)<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<br /></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<b style="mso-bidi-font-weight: normal;">Compact DSLR:<o:p></o:p></b></div>
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Nikon D3300<span style="mso-tab-count: 3;"> </span>$499.00 with 18-55 kit
lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Nikon D5500<span style="mso-tab-count: 3;"> </span>$890.00 with 18-55 kit
lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Canon 760D (AKA
T6s)<span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span>$949.00
with 18-55 kit lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Lumix GH-7<span style="mso-tab-count: 3;"> </span>$579.00 w/14-42 lens
(mirrorless camera, not a DSLR)<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Sony
SLT-A77 II<span style="mso-tab-count: 2;"> </span>$850.00
(body only-mirrorless)<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<br /></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<b style="mso-bidi-font-weight: normal;">Mid sized DSLR:<o:p></o:p></b></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Nikon D7200<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>$110.00<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Nikon D610<span style="mso-tab-count: 3;"> </span>$1,500.00<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Nikon D750<span style="mso-tab-count: 3;"> </span>$1900.00 for body
only, $2,400 with 24-120 lens<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Canon 70D<span style="mso-tab-count: 3;"> </span>$1,249.00 with
18-55 mm lens<o:p></o:p></div>
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Canon 7D
MkII<span style="mso-tab-count: 2;"> </span>$1,300.00<o:p></o:p></div>
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Fuji X-T1<span style="mso-tab-count: 3;"> </span>$1,000.00<span style="mso-tab-count: 3;"> </span><o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<br /></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
<b style="mso-bidi-font-weight: normal;">Pro bodies (full frame):<o:p></o:p></b></div>
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Sony A7rII<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>$3,200.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
<div class="MsoNormal" style="tab-stops: .5in 1.0in 1.5in 2.0in 174.0pt;">
Nikon D810<span style="mso-tab-count: 3;"> </span>$2790.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
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Canon 5D mk
III<span style="mso-tab-count: 2;"> </span>$3,000.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
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Nikon D4S*<span style="mso-tab-count: 3;"> </span>$6,000.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
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Leica M Type 240<span style="mso-tab-count: 2;"> </span>$6,400.00<span style="mso-spacerun: yes;"> </span>Body only<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Stan’s Used Digital
Camera Recommendations<o:p></o:p></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Winter 2015 V1.0<o:p></o:p></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">(prices subject to
change)<o:p></o:p></b></div>
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<br /></div>
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Digital cameras used to be a lot like used laptops, every
three-five years the technology so jumped ahead there was little point in
buying a used model. Just suck it up and buy the latest technology. We’re
reaching the upper end of what sensor technology is offering and we now have a
better sense of just how many mega pixels we need to make the photos we need to
make. With improvements in software we can resample images now and a 12 MP
camera usually works for many people, 16-20 MP is more than enough for 75-90%
of students. Here are some “last generation” <span style="mso-spacerun: yes;"> </span>Prosumer and professional cameras that offer
great value used. In all cases it pays to get a shutter count and anything
under 50,000 clicks is a pretty safe bet. The smart plan now is to “invest” in
legacy lenses and buy the body for your current needs and not think about
camera bodies as a long term investment.<o:p></o:p></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;">Nikon:<o:p></o:p></b></div>
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<br /></div>
<div class="MsoNormal">
D300 (12 MP) APS-C sized sensor, buy at the $350-375 price
point<o:p></o:p></div>
<div class="MsoNormal">
D7100 (24 MP) APS-C sized sensor, buy at the $700-750 price
point<o:p></o:p></div>
<div class="MsoNormal">
D700 (12 MP) Full frame sensor, buy at $900-1,00 price point<o:p></o:p></div>
<div class="MsoNormal">
D3X (24 MP) full frame sensor, buy at $2,100-2,400 price
point<o:p></o:p></div>
<div class="MsoNormal">
D800E (36 MP) Full frame sensor, buy at the $2,500-2,750.00
price point<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Canon:<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
5D MK II (21 MP) Full Frame sensor, buy at $1,200-1,450.00
price point<o:p></o:p></div>
<div class="MsoNormal">
7D 18 MP APS-C sized sensor) buy at $650.00 price point<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Fuji:<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
X100S (16 MP) APS-C sized sensor, fixed 23mm lens, buy at
$750.00 price point<o:p></o:p></div>
<div class="MsoNormal">
XPro-1 (16MP) APS-C sized sensor, buy used body for
$500-600.00<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Sony:<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
A7R (36 MP) Full Frame sensor, mirrorless, buy used for<span style="mso-spacerun: yes;"> </span>$1,200-1,300.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-20383076887048276192015-12-03T17:31:00.001-08:002015-12-03T17:31:51.695-08:00Last Day of Classes!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3dxXT7W6O9NGdSqZ6n_YDjdoBHFScvyBUXjcVEfDY9iXVH32aBOJaEf5xCkuWkhT8sXwFmRE0UDXPYLSPw7sdFG_Y52GbS3mcGokp7ZUXwLgPqeGkFQf0FOJjkBPNDhG_oUFBKVnvqDk/s1600/_DSC3159.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3dxXT7W6O9NGdSqZ6n_YDjdoBHFScvyBUXjcVEfDY9iXVH32aBOJaEf5xCkuWkhT8sXwFmRE0UDXPYLSPw7sdFG_Y52GbS3mcGokp7ZUXwLgPqeGkFQf0FOJjkBPNDhG_oUFBKVnvqDk/s400/_DSC3159.jpg" width="400" /></a></div>
<br />Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-35900313750316884182015-11-05T06:01:00.000-08:002015-11-05T06:01:09.250-08:00Group Portrait from Studio Lighting Demo<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOk3y0Ma5lmKPhRhvj5_CdKFmcpXWnyZl-ZkWdNtjEonmsymiCNi8GxZ-36v3urgY8lhsHhYNXN9Il1TTwfrUf7eZImH2_oxXd2ymbXUYhOofMmjkL3u-n_BwRSPTKW2SaFQ_GeKv113U/s1600/studio+demo0191.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOk3y0Ma5lmKPhRhvj5_CdKFmcpXWnyZl-ZkWdNtjEonmsymiCNi8GxZ-36v3urgY8lhsHhYNXN9Il1TTwfrUf7eZImH2_oxXd2ymbXUYhOofMmjkL3u-n_BwRSPTKW2SaFQ_GeKv113U/s400/studio+demo0191.jpg" width="400" /></a></div>
<br />Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-11273312794355745092015-08-26T07:55:00.000-07:002015-08-26T07:55:00.103-07:00Assignment #2B Shutter speed & Motion<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black; font-family: Helvetica;">The camera has the unique ability to freeze motion or to show an entire motion to the point where it is only a blur. Both of these qualities can be used in a photograph in interpret movement as you would like it to be shown.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">A few things to remember are:<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">1. A higher shutter speed will be required to freeze motion when the motion is parallel to the film than when motion is toward the camera.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">2. If you are using a slow shutter speed, those less than 1/30 of a second, you should use a camera support. A tripod is best, however you can brace the camera on a bench, a wall, or place it on the ground.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">3. Panning means to move the camera with the subject in motion. This will allow you to freeze motion which is faster than your fastest shutter speed. Panning requires practice, so try this a number of times.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj11gQa-74PLXM-SspID7c8xYTwmtV1751nKNi07ygxrRGAPErOUC3-ZxSXxeR76eotAtVIgzuc8dqRlK989mJ8-t_x7SCPc7PoKQgTmlBFZWpjFxtrf-_GpnfkgolefIXOUH2bHZOTQzY/s1600/chart-explains-aperture-shutter-and-iso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj11gQa-74PLXM-SspID7c8xYTwmtV1751nKNi07ygxrRGAPErOUC3-ZxSXxeR76eotAtVIgzuc8dqRlK989mJ8-t_x7SCPc7PoKQgTmlBFZWpjFxtrf-_GpnfkgolefIXOUH2bHZOTQzY/s400/chart-explains-aperture-shutter-and-iso.jpg" width="400" /></a></div>
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<span style="color: black; font-family: Helvetica;"> 1. Make a series of exposures that show the effects of freezing motion with a high shutter speed.<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Helvetica;"> 2. A series of exposures to imply motion using slow shutter speeds.</span></div>
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<span class="Apple-style-span" style="font-family: Helvetica;"> 3. Finally</span><span class="Apple-style-span" style="font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">a series of exposures that</span><span class="Apple-style-span" style="font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">demonstrate the use of panning technique.</span></div>
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<span style="color: black; font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">Remember that you must adjust the f stop to match the shutter speed you have selected to get a correct exposure. You may find that you can not use a low or slow shutter speed in the bright sun, as there is too much light present. In that case, you must go someplace where there is less light or wait till dusk. The same is true of high shutter speeds, which often require you to open the lens to get enough light to make a correct exposure, this may not be possible indoors, for example.</span></div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-61313885490081240042015-08-25T07:53:00.000-07:002015-08-25T07:53:00.140-07:00Assignment #2A Depth of Field & Focus<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black;"><b><u>Depth of Field and Focus</u> </b></span></div>
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<span style="color: black;">As you have learned in your lecture, depth of field is the area, from the near point to the far point, which will be in focus in your photograph. This can be used in many ways to make your photograph have more impact, to isolate the subject from a distracting background or to give a photograph more apparent depth. Just to review:<o:p></o:p></span></div>
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<span style="color: black;">1. Depth of field is directly related to the f stop which you use. A small f stop like f 16 will give greater depth of field (more in focus), and a smaller f stop (like f 2.8) will make the depth of field shallower.<o:p></o:p></span></div>
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<span style="color: black;">2. When you want fairly accurate indications of depth of field, you should use the depth of field scale on you lens.<o:p></o:p></span></div>
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<span style="color: black;">3. Focusing on a subject close to the camera will give less depth of field than focusing on a subject farther away.<o:p></o:p></span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Assignment:</span></b><br />
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1. Make at least 2 photographs which show shallow depth of field. Remember to use a wide f stop (like f 2.8).</div>
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<span style="color: black;">2. Make at least 2 photographs to show great depth of field. Use a smaller<o:p></o:p></span></div>
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<span style="color: black;">f stop (like f 16)<o:p></o:p></span></div>
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<span style="color: black;">3. Use the remaining images to show subjects in background out of focus,<o:p></o:p></span></div>
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<span style="color: black;">objects in foreground out of focus, and other variations of use of limited and expanded focus.<o:p></o:p></span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Don’t forget, as you change the f stop, you must compensate the exposure by also changing the shutter speed. In some cases, it will be too bright to use a open apeture like f 2.8, or too dark to use f 16.</span></b><br />
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by J.H. Lartigue</div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-23228482097558555762015-08-24T19:19:00.000-07:002015-08-24T19:19:00.072-07:00Assignment #1-Exposure variation<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">In this assignment you will shoot a series of exposures and iso settings on your digital camera as follows:</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">1. Set C</span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">olorspace</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to Adobe RGB</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">2. Set </span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">Quality</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to RAW & jpg-large</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">3. Set M</span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">ode</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to manual</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">4. Now set </span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">ISO</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to the base exposure (100 or 200)</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">-Shoot same subject at each iso at normal exposure, the one over and one under exposure</span><br />
<span style="color: #666666; font-family: Trebuchet MS, Trebuchet, Verdana, sans-serif; font-size: x-small;"><span style="background-color: white; line-height: 18px;">then:</span></span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">-Shoot one subject at iso setting 100; 400; 800; 1600 and if you have it 3200</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">This then is what you'll end up with, shoot a total of 4 scenes. In shooting the assignment, think about how color is important to the design and subject. Consider color AS subject.</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">This assignment is pass/fail, bring in one set of jpg images on a jump drive for in class review. Select best image for shoot and post on class blog.</span><br />
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-46995902595684668812015-06-16T09:55:00.002-07:002015-06-16T09:55:59.873-07:00Sunny 16 rule ExplainedThis has been around for as long as I can remember, but if you need this, the meter and electronics in your digital camera are probably bad and I am not sure it'll do you any good, none the less here it is:<br />
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In photography, the <b>sunny 16 rule</b> (also known as the <b>sunny <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16 rule</b>) is a method of estimating correct daylight <a href="https://en.wikipedia.org/wiki/Exposure_(photography)" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Exposure (photography)">exposures</a> without a <a href="https://en.wikipedia.org/wiki/Light_meter" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Light meter">light meter</a>. (For lunar photography there is a similar rule known as the <a href="https://en.wikipedia.org/wiki/Looney_11_rule" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Looney 11 rule">looney 11 rule</a>.) Apart from the obvious advantage of independence from a light meter, the sunny 16 rule can also aid in achieving correct exposure of difficult subjects. As the rule is based on incident light, rather than reflected light as with most camera light meters, very bright or very dark subjects are compensated for. The rule serves as a <a href="https://en.wikipedia.org/wiki/Mnemonic" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Mnemonic">mnemonic</a> for the camera settings obtained on a sunny day using the <a href="https://en.wikipedia.org/wiki/Exposure_value" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Exposure value">exposure value</a> (EV) system.</div>
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The basic rule is, <b>"On a sunny day set <a href="https://en.wikipedia.org/wiki/Aperture" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Aperture">aperture</a> to <a href="https://en.wikipedia.org/wiki/F-number" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="F-number"><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16</a> and <a href="https://en.wikipedia.org/wiki/Shutter_speed" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Shutter speed">shutter speed</a> to the [reciprocal of the] ISO <a href="https://en.wikipedia.org/wiki/Film_speed" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Film speed">film speed</a> [or ISO setting] for a subject in direct sunlight."</b><sup class="reference" id="cite_ref-1" style="font-size: 11px; line-height: 1; unicode-bidi: -webkit-isolate;"><a href="https://en.wikipedia.org/wiki/Sunny_16_rule#cite_note-1" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none; white-space: nowrap;">[1]</a></sup> For example:</div>
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<li style="margin-bottom: 0.1em;">On a sunny day and with ISO 100 film / setting in the camera, one sets the aperture to <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16 and the shutter speed to <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">100</span></span> or <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">125</span></span> second (on some cameras <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">125</span></span> second is the available setting nearest to <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">100</span></span> second).</li>
<li style="margin-bottom: 0.1em;">On a sunny day with ISO 200 film / setting and aperture at <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16, set shutter speed to <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">200</span></span> or <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">250</span></span>.</li>
<li style="margin-bottom: 0.1em;">On a sunny day with ISO 400 film / setting and aperture at <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16, set shutter speed to <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">400</span></span> or <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">500</span></span>.</li>
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As with other light readings, shutter speed can be changed as long as the f-number is altered to compensate, e.g. <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">250</span></span> second at <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/11 gives equivalent exposure to <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;">125</span></span> second at <span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16. More in general, the adjustment is done such that for each step in aperture increase (i.e., decreasing the f-number), the exposure time has to be halved (or equivalently, the shutter speed doubled), and vice versa. This follows the more general rule derived from the mathematical relationship between aperture and exposure time—within reasonable ranges, exposure is proportional to the square of the aperture ratio and proportional to exposure time; thus, to maintain a constant level of exposure, a change in aperture by a factor <i>c</i> requires a change in exposure time by a factor <span class="sfrac nowrap" style="display: inline-block; font-size: 12px; text-align: center; vertical-align: -0.5em; white-space: nowrap;"><span style="display: block; line-height: 1em; margin: 0px 0.1em;">1</span><span class="visualhide" style="height: 1px; left: -10000px; overflow: hidden; position: absolute; top: auto; width: 1px;">/</span><span style="border-top-style: solid; border-top-width: 1px; display: block; line-height: 1em; margin: 0px 0.1em;"><i>c</i><sup style="font-size: 10px; line-height: 1;">2</sup></span></span> and vice versa. Steps in the aperture always correspond to a factor close to the <a href="https://en.wikipedia.org/wiki/Square_root_of_2" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Square root of 2">square root of 2</a>, thus the above rule.</div>
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An elaborated form of the sunny 16 rule is to set <a href="https://en.wikipedia.org/wiki/Shutter_speed" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Shutter speed">shutter speed</a> nearest to the reciprocal of the ISO <a href="https://en.wikipedia.org/wiki/Film_speed" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Film speed">film speed</a> / setting and <a href="https://en.wikipedia.org/wiki/F-number" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="F-number">f-number</a> according to this table:<sup class="reference" id="cite_ref-2" style="font-size: 11px; line-height: 1; unicode-bidi: -webkit-isolate;"><a href="https://en.wikipedia.org/wiki/Sunny_16_rule#cite_note-2" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none; white-space: nowrap;">[2]</a></sup><sup class="reference" id="cite_ref-3" style="font-size: 11px; line-height: 1; unicode-bidi: -webkit-isolate;"><a href="https://en.wikipedia.org/wiki/Sunny_16_rule#cite_note-3" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none; white-space: nowrap;">[3]</a></sup></div>
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<dl style="margin-bottom: 0.5em; margin-top: 0.2em;"><dd style="margin-bottom: 0.1em; margin-left: 1.6em; margin-right: 0px;"><table border="1" cellpadding="5" style="border-collapse: collapse; font-size: 14px;"><tbody>
<tr><th><a href="https://en.wikipedia.org/wiki/F-number" style="background-image: none; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="F-number">Aperture</a></th><th>Lighting conditions</th><th>Shadow detail</th></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/22</td><td>Snow/sand</td><td>Dark with sharp edges</td></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/16</td><td>Sunny</td><td>Distinct</td></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/11</td><td>Slight overcast</td><td>Soft around edges</td></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/8</td><td>Overcast</td><td>Barely visible</td></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/5.6</td><td>Heavy overcast</td><td>No shadows</td></tr>
<tr><td><span style="font-family: 'Trebuchet MS', Candara, Georgia, Calibri, Corbel, serif; font-style: italic;">f</span>/4</td><td>Open shade/sunset</td><td>No shadows</td></tr>
<tr><td>Add one stop</td><td>Backlighting</td><td>n/a</td></tr>
</tbody></table>
</dd></dl>
</dd></dl>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-4429050667329235042015-02-01T09:27:00.000-08:002015-02-01T09:27:00.056-08:00Assignment #4 Environmental Portrait<div class="MsoNormal" style="color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="font-family: Times;">“The subject must be thought of in terms of the 20th century, of houses he lives in and places he works, in terms of the kind of light the windows in these places let through and by which we see him every day.”<o:p></o:p></span></div>
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<b><span style="color: #0a00c8; font-family: Times;"><a href="http://www.brainyquote.com/quotes/quotes/a/arnoldnewm116385.html" style="color: #888888; text-decoration: none;">Arnold Newman</a></span></b><b><span style="font-family: Times;"></span></b><span style="font-family: Times;"><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrZaD4Y293ACJWkNJyXiiiSPuBvMUic7ifOn3ouwrcnrWRCY888jzcGIhqLq-6VzkkWoVLjhCmHvyUGQelP4ZYlWscjhyphenhyphenJuHfiOlRpwgb5oaSdBip6l3joAzCOLJR3MuM-uy7cpqECQj4/s1600/newman_smith.jpg" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrZaD4Y293ACJWkNJyXiiiSPuBvMUic7ifOn3ouwrcnrWRCY888jzcGIhqLq-6VzkkWoVLjhCmHvyUGQelP4ZYlWscjhyphenhyphenJuHfiOlRpwgb5oaSdBip6l3joAzCOLJR3MuM-uy7cpqECQj4/s320/newman_smith.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; background-color: white; background-position: initial initial; background-repeat: initial initial; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="233" /></a></div>
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<b> "Willie The Lion Smith" </b> by Arnold Newman 1960</div>
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<b><span style="font-family: Times;"> </span></b>Simply put, an environmental portrait is a portrait of a person that includes enough of the environment around that person to provide context that helps the viewer understand more about the defining characteristics of the subject. One of the keys to a successful environmental portrait is that the portion of the scene included in the frame should be "representative" of the environment or context you want the viewer to associate with the subject. The relative importance of the subject to the environment is also important in defining an "environmental portrait." The subject should be the most prominent element in the scene, with the surrounding elements providing strong supporting context. If you are too close to your subject to include enough of the environment, then the image simply becomes a normal portrait. On the other hand, if the subject is so small in the frame that other elements become more prominent, or viewers cannot discern the defining characteristics of the subject, then the image would be better classified as something other than an environmental portrait.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_MElVJCjrsdfH8F_SSN1svSHEuZZ-7fcKI4pFh6nAkotQPT9DNlaEk8KsV021rP5J3LPiXHTXFmqXJO75FhCbB-j0VNYmsEXWI_cVTHC41ox0pyAdpfNEitJfkqzUOLM6VOqwR8cOAEQ/s1600/august_sander.jpg" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_MElVJCjrsdfH8F_SSN1svSHEuZZ-7fcKI4pFh6nAkotQPT9DNlaEk8KsV021rP5J3LPiXHTXFmqXJO75FhCbB-j0VNYmsEXWI_cVTHC41ox0pyAdpfNEitJfkqzUOLM6VOqwR8cOAEQ/s320/august_sander.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; background-color: white; background-position: initial initial; background-repeat: initial initial; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="213" /></a></div>
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"Baker" August Sander</div>
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<span style="font-family: Times;">Shoot a minimum of 50 images/frames. You can shoot this assignment at a number of locations and even on different days. The subject must be part of the process and may include others, no candid photos of random people you have not met however! No animals or no humans under the age of 14 year as primary subject matter.<o:p></o:p></span></div>
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<span style="font-family: Times;">Submit one print, any size for in class critique March 3</span></div>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-13899672859509558752015-01-30T09:25:00.000-08:002015-01-30T09:25:00.065-08:00Assignment #3 Street Photography & the Decisive Moment<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<b><span style="color: black;">“<i>You must milk the cow a great deal, to get enough milk, to make a little bit of cheese”<o:p></o:p></i></span></b></div>
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<b><i><span style="color: black;">Henri Cartier-Bresson</span></i><u><span style="color: black;"><o:p></o:p></span></u></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikzWUFq-B-De0UzfV43udajNp3MK2NsRK4t3rT4MVlcvu6YAzZ33xNxEb0nQuDUnTPf6OD_IvTmCCRwO9EEloAAvh5JOZLFWn32eNdY_W3MWCkoKxr1Dl7IxadZLuZ9W9z68hy1Fe4Fhw/s1600/AMAGNUMIG_10311564767.jpg" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikzWUFq-B-De0UzfV43udajNp3MK2NsRK4t3rT4MVlcvu6YAzZ33xNxEb0nQuDUnTPf6OD_IvTmCCRwO9EEloAAvh5JOZLFWn32eNdY_W3MWCkoKxr1Dl7IxadZLuZ9W9z68hy1Fe4Fhw/s320/AMAGNUMIG_10311564767.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="320" /></a></div>
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<span style="color: black;">There come certain moments in our lives when any number of forces (both those we can control and those we can’t) merge together. Everything comes together as if fate had planned it that way. To simplify this in a phrase; being in the right place at the right time.<o:p></o:p></span></div>
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<span style="color: black;">The French photographer Henri Cartier-Bresson describes this sensation in his work as being “The Decisive Moment”. A point in time and space when those forces (people, buildings, autos, animals, shapes, forms, weather etc.) arrange themselves in front of his camera to present a complete statement, both visually and emotionally. Everything is revealed with perfect clarity.<o:p></o:p></span></div>
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<span style="color: black;">But this is a very quick and fleeting moment. The power created by all these forces dissolves as quickly as it arises. Cartier-Bresson sees it as his responsibility as a photographer to be aware of such moments and to photograph them at precisely “the decisive moment”.<o:p></o:p></span></div>
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<span style="color: black;">Your assignment, shoot at least 50 photos of these decisive moments you find in your world. These are best found outdoors and in situations where there are lots of people around. Use ISO 400 speed setting and try to use higher shutter speeds if your subjects are moving, around 250-500 of a second.<o:p></o:p></span></div>
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<span style="color: black;">Carry your camera in the ready mode, that is pre-focused and the exposure controls adjusted for the lighting situation you are in. Try concentrating on the three basic elements (time, space, and objects in space, like people). Observe their interaction. You skill will increase with practice and timing is everything.<o:p></o:p></span></div>
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<span style="color: black;">Turn in a minimum of one print that best presents the idea of the decisive moment. The print may be of any size.<o:p></o:p></span></div>
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<span style="color: black;">For more information, check out the works of Cartier-Bresson in the art and architecture library and the works of Elliot Erwitt and Gray Winnogrand two other photographers who deal with these elements.</span></div>
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Gary Winogrand</div>
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Critique for this assignment is FEB 23</div>
Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-37464420666269981942015-01-26T09:43:00.000-08:002015-01-25T09:44:34.466-08:00Visiting Artists lecture February 2 Carrie Mae WeemsOn Monday, FEBRUARY 2, Carrie Mae Weems will be lecturing at Sternberg auditorium at 6 pm. All photo students should try to attend this lecture.<br />
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Check out her WWW site: http://carriemaeweems.net<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz_sBcvQDmaXebu57GDpFBlF5kBBMsxpoyJFSNwDdgSGeIOpT7WwirtWFL_g8Dn848AzFg1qkqNpJrmNcqJ_uORleyu6Z0oVQrgvV4xZArHXOecqcnwUwngFrQca13G5fmljIl5hxTDlY/s1600/mandingo4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz_sBcvQDmaXebu57GDpFBlF5kBBMsxpoyJFSNwDdgSGeIOpT7WwirtWFL_g8Dn848AzFg1qkqNpJrmNcqJ_uORleyu6Z0oVQrgvV4xZArHXOecqcnwUwngFrQca13G5fmljIl5hxTDlY/s1600/mandingo4.jpg" height="320" width="264" /></a></div>
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From her series Mandingo, 2010</div>
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<br />Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-35840290227669127162015-01-26T09:14:00.000-08:002015-01-26T09:14:00.042-08:00Assignment #2B Shutter Speed & Motion<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black; font-family: Helvetica;">The camera has the unique ability to freeze motion or to show an entire motion to the point where it is only a blur. Both of these qualities can be used in a photograph in interpret movement as you would like it to be shown.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">A few things to remember are:<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">1. A higher shutter speed will be required to freeze motion when the motion is parallel to the film than when motion is toward the camera.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">2. If you are using a slow shutter speed, those less than 1/30 of a second, you should use a camera support. A tripod is best, however you can brace the camera on a bench, a wall, or place it on the ground.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;">3. Panning means to move the camera with the subject in motion. This will allow you to freeze motion which is faster than your fastest shutter speed. Panning requires practice, so try this a number of times.<o:p></o:p></span></div>
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<span style="color: black; font-family: Helvetica;"> 1. Make a series of exposures that show the effects of freezing motion with a high shutter speed.<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Helvetica;"> 2. A series of exposures to imply motion using slow shutter speeds.</span></div>
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<span class="Apple-style-span" style="font-family: Helvetica;"> 3. Finally</span><span class="Apple-style-span" style="font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">a series of exposures that</span><span class="Apple-style-span" style="font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">demonstrate the use of panning technique.</span></div>
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<span style="color: black; font-family: Helvetica;"> </span><span class="Apple-style-span" style="font-family: Helvetica;">Remember that you must adjust the f stop to match the shutter speed you have selected to get a correct exposure. You may find that you can not use a low or slow shutter speed in the bright sun, as there is too much light present. In that case, you must go someplace where there is less light or wait till dusk. The same is true of high shutter speeds, which often require you to open the lens to get enough light to make a correct exposure, this may not be possible indoors, for example.</span></div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-50042571230359004052015-01-25T09:13:00.002-08:002015-01-25T09:36:35.245-08:00Assignment #2A Depth of Field & Focus<div class="MsoNormal" style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">
<span style="color: black;"><b><u>Depth of Field and Focus</u> </b></span></div>
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<span style="color: black;">As you have learned in your lecture, depth of field is the area, from the near point to the far point, which will be in focus in your photograph. This can be used in many ways to make your photograph have more impact, to isolate the subject from a distracting background or to give a photograph more apparent depth. Just to review:<o:p></o:p></span></div>
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<span style="color: black;">1. Depth of field is directly related to the f stop which you use. A small f stop like f 16 will give greater depth of field (more in focus), and a smaller f stop (like f 2.8) will make the depth of field shallower.<o:p></o:p></span></div>
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<span style="color: black;">2. When you want fairly accurate indications of depth of field, you should use the depth of field scale on you lens.<o:p></o:p></span></div>
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<span style="color: black;">3. Focusing on a subject close to the camera will give less depth of field than focusing on a subject farther away.<o:p></o:p></span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Assignment:</span></b><br />
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1. Make at least 2 photographs which show shallow depth of field. Remember to use a wide f stop (like f 2.8).</div>
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<span style="color: black;">2. Make at least 2 photographs to show great depth of field. Use a smaller<o:p></o:p></span></div>
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<span style="color: black;">f stop (like f 16)<o:p></o:p></span></div>
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<span style="color: black;">3. Use the remaining images to show subjects in background out of focus,<o:p></o:p></span></div>
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<span style="color: black;">objects in foreground out of focus, and other variations of use of limited and expanded focus.<o:p></o:p></span></div>
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<span style="color: black;">DUE FEB 2</span></div>
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<span style="color: black;"> </span><b><span style="color: black;">Don’t forget, as you change the f stop, you must compensate the exposure by also changing the shutter speed. In some cases, it will be too bright to use a open apeture like f 2.8, or too dark to use f 16.</span></b><br />
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by J.H. Lartigue</div>
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Photo Ihttp://www.blogger.com/profile/14795232257314817394noreply@blogger.com0tag:blogger.com,1999:blog-5129268059292899613.post-23333925875911082152015-01-18T19:33:00.003-08:002015-01-18T19:36:39.250-08:00Assignment #1 Exposure Variation <span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">In this assignment you will shoot a series of exposures and iso settings on your digital camera as follows:</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">1. Set C</span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">olorspace</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to Adobe RGB</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">2. Set </span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">Quality</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to RAW & jpg-large</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">3. Set M</span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">ode</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to manual</span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">4. Now set </span><b style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">ISO</b><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"> to the base exposure (100 or 200)</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">-Shoot same subject at each iso at normal exposure, the one over and one under exposure</span><br />
<span style="color: #666666; font-family: Trebuchet MS, Trebuchet, Verdana, sans-serif; font-size: x-small;"><span style="background-color: white; line-height: 18px;">then:</span></span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">-Shoot one subject at iso setting 100; 400; 800; 1600 and if you have it 3200</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">This then is what you'll end up with, shoot a total of 4 scenes. In shooting the assignment, think about how color is important to the design and subject. Consider color AS subject.</span><br />
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">This assignment is pass/fail, bring in one set of jpg images on a jump drive for in class review. Select best image for shoot and post on class blog.</span><br />
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Your fearless leader hard at work at Mardi Gras.</div>
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